Documentary photography for Laura Eckelman’s lighting design for Bossa Nova by Kirsten Greenidge, directed by Evan Yinoulis. Set by Ana Milosovic, clothes by Summer Lee Jack, sound by Michael Skinner. It happened in December 2010 at the Yale Rep.

Production photography for Good Words by Meg Miroshnik, at the Yale Cabaret. Set by Matt Saunders, clothes by Summer Lee Jack, lights by Laura Eckelman, sound by Michael Skinner.

Lighting design for Uncanny, a music and movement concert conceived by Anna Brenner, Hannah Wasileski and myself in collaboration with the performers: Virginia Logan, John Riddleberger, James Sargent, Jess K. Smith, and the musicians: Andrea Jakobowski and Daniel Sefik. Inspired by Arvo Pärt’s composition Spiegel im Spiegel. Anna directed it, Hannah designed and performed live overhead projections, and Jess arranged and performed songs. It happened at Littlefield in Gowanus, Brooklyn in June 2010.

Lighting design for Presentation, choreographed by Colleen Megley. Part of Connecticut College’s 2010 Senior Concert in New London, CT.

Lighting design for Vagabound, choreographed by Lily Ockwell. Part of Connecticut College’s 2010 Senior Concert in New London, CT.

Lighting design for Flutter, choreographed by Lisa Race. Part of Connecticut College’s 2010 Senior Concert in New London, CT.

Fixed-camera shots of Laura Eckelman’s lighting design for Sarah Ruhl’s Orlando in a Yale School of Drama production directed by Jen Wineman. Set by Po-Lin Li, clothes by Aaron Mastin, music and sound by Matthew Suttor and Chad Raines. It happened in the Iseman Theater in January 2010.

Improvised production photography (on Hannah’s old Canon point-and-shoot) for Look Away by John Douglas Weidner, directed by Anna Brenner, at the Schapiro Theater at Columbia University. Part of KafkaFest. Scenery by Tuffer Weidner, clothes by Evan Prizant, lighting by Kevin Hardy, shadow projections by Hannah Wasileski. The show featured a music set by Oh You Devil.

Production photography for Hanne Tierney’s My Life In A Nutshell at HERE Arts Center. The puppets are made by Hanne Tierney, the manual overhead projection is created by Hannah Wasileski, and the lighting by Marlon Hurt. Jane Wang composed and performed the music. It is part of the Dream Music Puppetry program curated by Basil Twist, and is co-presented by FiveMyles.

This is a production I’ve been personally looking forward to for a long time. It’s the beginning of something big, and I’m grateful to be connected to the people involved.

Lighting design for Nijinsky’s Last Dance by Norman Allen, directed by Charlotte Braithwaite and starring Danny Binstock, at the Yale Cabaret. The sound is designed by Chad Raines, the set by Chien-Yu Peng, and the clothes by Leon Dobkowski.